Septimius Felton by Nathaniel Hawthorne--Delphi Classics (Illustrated) by Nathaniel Hawthorne

Author:Nathaniel Hawthorne [HAWTHORNE, NATHANIEL]
Language: eng
Format: epub
Tags: Parts Edition 7 of 34 by Delphi Classics
Publisher: Delphi Classics (Parts Edition)
Published: 2017-08-12T00:00:00+00:00

So ended Sibyl’s legend; in which Septimius was struck by a certain analogy to Aunt Keziah’s Indian legend,–both referring to a flower growing out of a grave; and also he did not fail to be impressed with the wild coincidence of this disappearance of an ancestor of the family long ago, and the appearance, at about the same epoch, of the first known ancestor of his own family, the man with wizard’s attributes, with the bloody footstep, and whose sudden disappearance became a myth, under the idea that the Devil carried him away. Yet, on the whole, this wild tradition, doubtless becoming wilder in Sibyl’s wayward and morbid fancy, had the effect to give him a sense of the fantasticalness of his present pursuit, and that in adopting it, he had strayed into a region long abandoned to superstition, and where the shadows of forgotten dreams go when men are done with them; where past worships are; where great Pan went when he died to the outer world; a limbo into which living men sometimes stray when they think themselves sensiblest and wisest, and whence they do not often find their way back into the real world. Visions of wealth, visions of fame, visions of philanthropy,–all visions find room here, and glide about without jostling. When Septimius came to look at the matter in his present mood, the thought occurred to him that he had perhaps got into such a limbo, and that Sibyl’s legend, which looked so wild, might be all of a piece with his own present life; for Sibyl herself seemed an illusion, and so, most strangely, did Aunt Keziah, whom he had known all his life, with her homely and quaint characteristics; the grim doctor, with his brandy and his German pipe, impressed him in the same way; and these, altogether, made his homely cottage by the wayside seem an unsubstantial edifice, such as castles in the air are built of, and the ground he trod on unreal; and that grave, which he knew to contain the decay of a beautiful young man, but a fictitious swell, formed by the fantasy of his eyes. All unreal; all illusion! Was Rose Garfield a deception too, with her daily beauty, and daily cheerfulness, and daily worth? In short, it was such a moment as I suppose all men feel (at least, I can answer for one), when the real scene and picture of life swims, jars, shakes, seems about to be broken up and dispersed, like the picture in a smooth pond, when we disturb its tranquil mirror by throwing in a stone; and though the scene soon settles itself, and looks as real as before, a haunting doubt keeps close at hand, as long as we live, asking, “Is it stable? Am I sure of it? Am I certainly not dreaming? See; it trembles again, ready to dissolve.”

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